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Why does socially dated, low budget black-and-white film melodrama still resonate today? Behind nostalgic backdrops and forbidden behavior lurks something visceral, seductive, unanswered. We need it. Film noir is spicy chili for the soul.
As well as critical reviews and commentary, this blog looks at film noir through its period lens, the “1950s” - a celebrated and maligned and memified era that represents the last great consensus in American history. But those years were never as secure and conformist as they appeared. Discontent bubbled up to the surface. Film noir was the most significent and dramatic forum of protest, or at least the most accessible, declaring the American Dream as pie-in-the-sky by tossing the pie in your face. It channeled the social undercurrents and subconscious mood of the times.
The Germans invented it, the French defined it, but Americans made film noir a national symbol.
Terry Hamburg is an author and cultural historian.
He has turned to the dark side.
He can be contacted at finalcutnoir@gmail.com
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