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Film noir seldom has the patience for unhurried romance. Plots are convoluted, emotions intense, and the flames of passion must ignite fast and furious. Not the long and tortured road of When Harry Met Sally or the “slow burn” of Pride and Prejudice. “When it hits you it’s like a two-ton truck,” says a nightclub singer in The Strip. "You feel like that." Perfectly sensible people are victims. Brilliant and beautiful but sexually repressed psychoanalyst Ingrid Bergman falls he